8/5/2023 0 Comments Medieval pub![]() Herdrich, Alison Hokanson, Melanie Holcomb, Mellissa J. Garfinkel, John Guy, Navina Haidar, Medill Higgins Harvey, Stephanie L. Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda B. Carpenter, Stephanie D’Alessandro, Clare Davies, Jayson Kerr Dobney, Ashley Dunn, Adam Eaker, Maryam Ekhtiar, Helen C. Bambach, Kelly Baum, Alexis Belis, Monika Bincsik, John Byck, Iria Candela, John T. ![]() Achi, Denise Allen, Niv Allon, Ian Alteveer, Carmen C. It signals a new era in English-language studies of the still unfamiliar world of medieval Spain.Ĭontributions by Andrea M. This volume is an essential introduction to an art that repays long study. Both profound differences and shared artistic forms are brought to the fore. Throughout this publication the reader becomes aware not only of the clash between cultures but also of the less evident intercourse between widely different traditions. Special attention is given to the art of the Camino de Santiago, the great pilgrimage road, and to the magnificent architecture and wall paintings of Catalonia. The final section of the catalogue presents the flowering of the Romanesque in Spain. Included are numerous examples of manuscripts of great beauty and importance. Perceptive essays examine the Christian kingdoms of the north and the extraordinary manuscripts produced by the monasteries established in the frontier territories between the Christian North and the Islamic states of al-Andalus. Here the ascendancy of Islam is documented through remarkable sculpture, ivories, ceramics, textiles, and metalwork.ĭespite centuries of conflict and turmoil, the inhabitants of Spain-be they Christian or Muslim-left a splendid legacy of artworks. The presence of Islam in the Iberian Peninsula has been examined in depth in Al-Andalus, the counterpart to the present exhibition which was presented in 1992 by the Metropolitan Museum. Just some two centuries later the Visigoths were themselves displaced by Muslims who moved from North Africa. Their metalwork and sculpture give a sense of the dislocations of this transitional period. 500 the Visigoths made their way into the Iberian Peninsula and supplanted the existing Roman polity. Each opens with one or more distinguished essays, richly illustrated with photographs of architecture and works of art.Ībout A.D. This wide-ranging introduction is followed by four sections: Visigothic Spain, Islamic Spain, the Kingdom of Asturias and Mozarabic Spain, and Romanesque Spain. Of great interest is the survey of Spains cultural ties to Europe and to the Middle East. The immense influence of topography on Iberian history is limned, and the ongoing impact of Christianity and Islam on the peninsula is discussed in vivid terms. ![]() The volume opens with three essays by leading scholars that traverse the eventful world of medieval Spain, presenting themes that will prove important throughout the centuries from 500 to 1200. ![]() Each work is illustrated (most in full color) and is discussed in texts that will be of interest to both the general reader and the scholar. This publication accompanies a major exhibition for which more than 150 sculptures, architectural elements, paintings, textiles, and objects for everyday and ceremonial use have been gathered from museums and private collections in Spain, the United States, and Europe and Africa. Spanish art of the Middle Ages, a period that has been relatively unexplored in the English-speaking world, is examined here in detail. ![]()
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